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Jacques Romain Georges Brel (; 8 April 1929 – 9 October 1978) was a Belgian singer and actor who composed and performed theatrical songs. He generated a large, devoted following—initially in Belgium and France, but later throughout the world. He is considered a master of the modern chanson.
Although he recorded most of his songs in French and occasionally in Dutch, he became an influence on English-speaking songwriters and performers, such as Scott Walker, David Bowie, Brett Anderson, Alex Harvey, Marc Almond, Neil Hannon, and Rod McKuen. English translations of his songs were recorded by many performers, including Bowie, Walker, Anderson, Ray Charles, Judy Collins, John Denver, The Kingston Trio, Nina Simone, Shirley Bassey, James Dean Bradfield, Frank Sinatra, and Andy Williams.
Brel was a successful actor, appearing in ten films. He directed two films, one of which, Le Far West, was nominated for the Palme d'Or at the Cannes Film Festival in 1973. Having sold over 25 million records worldwide, Brel is the third-best-selling Belgian recording artist of all time. Brel married Thérèse "Miche" Michielsen in 1950, and the couple had three children. He also had a romantic relationship with actress and dancer Maddly Bamy from 1972 until his death in 1978.
In September 1941, his parents enrolled Brel at the Institut Saint-Louis on the italic=no/italic=no near the Botanical Garden of Brussels.Clayson p. 29. Although he did poorly in many subjects, he did well in History and French, and showed a talent for writing. He helped set up the school's drama club, taking on his first stage roles with great enthusiasm.Clayson p. 30. He wrote short stories, poems, and essays. In 1944, at the age of 15, Brel began playing the guitar. The following year he formed his own theatre group with friends and began writing plays. In the spring of 1947, during his final year at Saint-Louis, Brel wrote a short story titled "Frédéric" for a school magazine Le Grand Feu ("The Great Fire"). Published pseudonymously, the story is about a man on his deathbed who encourages his grandson to run away while the rest of the family makes arrangements for his funeral.Clayson pp. 33–34. Despite his growing talent for writing, Brel was not a good student, and failed many of his exams.
With an academic career not in his future, the 18-year-old Brel went to work at his father's cardboard factory in August 1947.Clayson p. 34. His job at Vanneste and Brel was predictable and uninspiring—a routine that involved fixing prices and meeting customers. Apart from joining the company football team, he showed little interest in the company's social activities and events. Perhaps to offset the boredom of his daily office routine, he joined a local Catholic youth organisation, La Franche Cordée (FC), which had as its motto, "More is within you."Clayson p. 37. Dedicated to philanthropic work, the group organised religious retreats, fundraising events, and food and clothing deliveries to orphanages and old people's homes. Brel supported these activities with great enthusiasm and believed strongly in FC's mission. His parents were pleased with their son's dedication, and provided him with the company van and family car to support his FC activities.Clayson pp. 37–38.
In June 1948, Brel enlisted for military service, did his basic training in Limbourg, and served as a corporal in the Belgian air force stationed at Groenveld barracks in Zellik near Brussels. Throughout his military service, Brel was still able to attend FC meetings. While working at FC, Brel met his future wife, Thérèse Michielsen, known to her friends as "Miche". On 1 June 1950, Jacques and Miche were married in Laeken, a suburb of the City of Brussels. On 6 December 1951, Miche gave birth to their first daughter, Chantal.
In 1952 Brel began writing songs and performing them at family gatherings and on Brussels' cabaret circuit. His family and friends were not supportive of his stark lyrics and violent, emotional performances. That year he performed on a local radio station for the first time.
In 1954 Brel participated in the music contest Grand Prix de la Chanson in Knokke-le-Zoute, finishing a disappointing 27th out of 28 participants. One positive result of the experience was that the French star Juliette Gréco requested to sing one of Brel's songs, "Le diable (Ça va)" (The devil (It's OK)), at her up-and-coming concert at the prestigious Olympia music-hall. She went on to record the song that spring. In July 1954, Brel made his first appearance at the prestigious Olympia Theatre in Paris. Later that summer, he embarked on his first French tour, appearing on the bill with French singers Dario Moreno, Philippe Clay, and Catherine Sauvage. By the end of the year, Philips released his debut album, a nine-song, 10-inch LP called Jacques Brel et ses chansons ("Jacques Brel and His Songs").
In February 1955, Brel met Georges "Jojo" Pasquier, who would become the singer's closest friend, manager, and personal chauffeur. He began singing with a number of Christian associations, which later led to his nickname of Abbé ("Abbot") Brel. In March Brel's wife and children joined him in France and the family settled in the Paris suburb of Montreuil-sous-Bois on the Rue du Moulin à vent. In June he toured France again with Canetti's show Les Filles de Papa, which included Françoise Dorin, Perrette Souplex, and Suzanne Gabriello.
In March 1956, Brel performed in North Africa, Amsterdam, Lausanne, and throughout Belgium. In July, while visiting Grenoble, he met François Rauber, a classical pianist who would become his accompanist on future recordings. Rauber played a major role in providing Brel with the formal musical training he was lacking and was responsible for Brel's musical arrangements. In September Brel recorded "Quand on n'a que l'amour" ("When You Only Have Love"), which would prove to be his commercial breakthrough. The song was released in November on a Philips 7-inch EP Quand on n'a que l'amour. The song reached number three on the French music charts.
In February 1957, Brel performed at the Alhambra Theatre with Maurice Chevalier, Michel Legrand, and ballet dancer Zizi Jeanmaire. In April he released his second studio album, Quand on n'a que l'amour, which contained the popular title song. The album was recorded at the Théâtre de l'Apollo in Paris, with André Popp and Michel Legrand conducting. In June he won the prestigious Grand Prix du Disque from the Académie Charles Cros. In September he appeared on the bill in the Discorama programme Au Palace d'Avignon with Raymond Devos, Pierre-Jean Vaillard, and Les Trois Ménestrels. In November he met Gérard Jouannest, another talented pianist, who would accompany the singer on his many concert tours. Brel and Jouannest would also collaborate on many of Brel's future classic songs, such as "Madeleine", "La Chanson des vieux amants" ("Song of the old lovers"), and "Les Vieux" ("The old folks").
In February 1958, Brel's wife Miche and their two children returned to live in Belgium, while Brel rented a room near Place de Clichy in Paris—a place to stay on those rare occasions when he was not touring. In March and April, he recorded his third album, Au printemps ("In the spring"), which would be released later that year. In May, while touring Canada for the first time, he met Félix Leclerc. On 23 August, his third daughter, Isabelle, was born back in Belgium. In November he gave a recital at the Halles d'Arlon in Belgian Luxembourg with Stéphane Steeman. In December Brel appeared at the Olympia in Paris as the supporting act to Philippe Clay. The pianist Gérard Jouannest and François Rauber joined Brel on stage for this performance. Brel's incredibly emotional performance brought the house down.
In January 1959, Brel signed a new recording contract with Philips Records. He continued to tour extensively throughout the year. On 22 February, he performed at the Bolivie Gala in the Solvay Casino in Couillet. In March he starred at the Trois Baudets with Serge Gainsbourg. In September he recorded his fourth album, La Valse à mille temps (The thousand-beat waltz), with François Rauber and his orchestra. On 14 October, he appeared at the Eden in Mouscron with Raymond Devos. On 20 November, he sang with Charles Aznavour at the Ancienne Belgique in Brussels. By the end of the decade, he had gained an impressive and enthusiastic following across France. He was so popular that he was invited to headline the end-of-year concert at the renowned Bobino in Paris. The concert was an enormous success. During these appearances, he stopped accompanying himself on the guitar to concentrate entirely on his increasingly theatrical vocal performances.
In January 1961, Brel made a triumphant return to the Bobino. By now, the accordionist Jean Corti had joined his touring group. Between 22 February and 12 April, he recorded his fifth album for Philips simply titled No. 5, which introduced the future Brel classics "Marieke" and "Le Moribond" (The dying man). In March he toured Canada again. In Montreal he met French actress and singer Clairette Oddera at her club on the Rue Saint-Jacques. They would become good friends. While in Montreal, he appeared with Raymond Devos at La Comédie Canadienne. In May Brel performed at the Kurhaus of Scheveningen in The Hague in the Netherlands. From 12 to 29 October, he returned to the Olympia music hall in Paris with star billing, after Marlene Dietrich cancelled at the last minute. Many critics point to these inspired performances as the turning point in his career. The audiences responded with rapturous applause and the critics proclaimed him as the new star of French chanson.
In March 1962, Brel left Philips Records and signed a five-year contract with Barclay Records. The contract was to be renewed in 1967 for another six years. His first album release for his new label was a live album, Olympia 1961, recorded the previous year. On 6 March, he recorded his first song for Barclay, "Le plat Pays" (The flat country). During the second week of March, he recorded the remaining tracks for his sixth studio album, Les Bourgeois (The bourgeois). In addition to the title song and "Le plat Pays", the new album contained the future Brel classics "Madeleine", "Les Biches" (The does), and "La Statue" (The statue). In October, Brel set up his own music publishing company, Arlequin, which was soon renamed Éditions Musicales Pouchenel. Brel's wife Miche was appointed company director. In November he recorded "Les Bigotes", "Quand Maman reviendra" (When mother returns), "Les Filles et les chiens" (Girls and dogs), and "La Parlote" (The gossip) as singles.
In April 1963, Brel performed again at the Bobino in Paris. In July he headlined at the Casino in Knokke for the fifth Coupe d'Europe de Tour de Chant. During this engagement, he performed the classic "Mathilde" for the first time. He also returned for another triumphant engagement at the Olympia in Paris, performing with Isabelle Aubret, who was the support act. Once again, his performance was a critical and artistic success, with the audience leaping up from their seats in a standing ovation following his emotional rendering of "Amsterdam".
The year 1964 brought a mix of personal tragedies and professional triumphs. On 8 January, Brel's father, Romain, died of bronchial pneumonia. Only two months later, on 7 March, his mother, Élisabeth (nicknamed Mouky), also died. At the same time, he was given the Gold Medal of Brussels from the Tourist Information Bureau and won a prize from the Société d'Auteurs Belge/Belgische Auteurs Maatschappij (SABAM). He was also awarded the French Academy's Grand Prix du Disque. He continued his ambitious touring schedule. By the end of the year, he released a new live album, Olympia 1964. That year, he discovered a new passion, aviation. After taking flying lessons with Paul Lepanse, he purchased a small plane. In the United States, his audience was growing. American poet and singer Rod McKuen began translating Brel's songs into English, and the Kingston Trio recorded one of his English versions on their Time to Think album, "Seasons in the Sun", based on Brel's "Le Moribond" (The dying man).
In 1965 Reprise Records licensed tracks from Barclay for a United States album titled Jacques Brel. On 25 March, he performed at the Kurhaus of Scheveningen in the Netherlands. In October he completed a successful five-week tour of the Soviet Union, which included a week's engagement at the Estrada Theatre in Moscow. On 6 November, he was back in France, recording the songs "Fernand", "Les Désespérés" (The despaired), and "Ces gens-là" (These people) for Barclay. On 4 December, he appeared at the prestigious Carnegie Hall in New York City. His performance was received with high public and critical acclaim.
By 1966 Brel had grown increasingly weary of his grueling concert schedules. In April he toured Djibouti, Madagascar, Reunion Island, and Mauritius. On 21 August, while on tour in Vittel, he revealed to his musicians his decision to retire from touring. In subsequent public statements, Brel stated that he had nothing more to give to the music world and that he wanted to devote more time to other projects. In October 1966, he gave a series of farewell concerts at the Olympia in Paris. Thousands of devoted fans flocked to see these final performances, which took place over the course of three weeks. On 1 November, he gave his final concert at the Olympia. After a highly emotional and stunning performance, the audience's standing ovations prompted him to return to the stage seven times for his final bows. He spent the next six months fulfilling his concert commitments. On 15 November, he gave his farewell performance at the Palais des Beaux-Arts in Brussels. Later that month, he gave his final UK performance at the Royal Albert Hall in London. During these last months of his world tour, many of his close friends, including Charles Aznavour, urged him to reconsider his decision to retire from singing, but he was adamant about his decision. On 4 December, he returned to Carnegie Hall in New York City and gave inspired performances before enthusiastic fans. By then, several English recordings of his songs were on the charts, including Damita Jo's "If You Go Away" (based on "Ne me quitte pas"), Judy Collins' "The Dove" (based on "La Colombe"), and Glenn Yarbrough's "The Women" (based on "Les Biches").
In January 1967, Brel finished recording songs for a new studio album, Jacques Brel 67, which was released later in the year. The album included "Mon Enfance" (My childhood), "Fils de..." (Sons of...), "Les bonbons 67" (The candies 67), and "La Chanson des vieux amants" (Song of the old lovers). In late January, he returned to Carnegie Hall and gave one final performance. While in New York, he went to see Man of La Mancha, a musical based on Miguel de Cervantes' novel Don Quixote, at the ANTA Washington Square Theatre in Greenwich Village. Moved by the experience, he began planning a French language production of the musical for Europe. He returned to France in the spring and, on 16 May 1967, he gave his final concert performance in Roubaix in northern France. Toward the end of the year, with vague plans of sailing around the world, Brel purchased a yacht.
In March 1970 Brel gave a one-off performance at the Salle Pleyel in Paris. Unusually this did not involve singing but instead recitation. In the first half of the performance he recited Sergei Prokofiev's famous story, Peter and the Wolf. In the second half he told the tale of Jean de Brunhoff's Babar the Elephant.
In 1972 Brel signed a special 30-year contract with Barclay Records. Although there were no new songs to record, Barclay persuaded him to return to the studio to re-record 11 of the better-known songs he cut for Philips Records during the early years of his music career. The result was the album Ne me quitte pas (Don't leave me), which contained the title track, "Marieke", "Les Flamandes" (Flemish women), "Quand on n'a que l'amour" (When you only have love), "Les Biches" (The does), "Le Moribond" (The dying man), "La Valse à mille temps" (The waltz in thousand time), and "Je ne sais pas" (I don't know). His earlier youthful energy was now lovingly harnessed by his longtime colleagues, arranger François Rauber and pianist Gerard Jouannest.
In 1968 Brel appeared in his second film, (The Bonnot Gang), directed by Philippe Fourastié and co-starring Annie Girardot and Bruno Cremer. Once again, Brel produced the soundtrack with François Rauber. The story is set in 1911 Paris. Raymond-la-science (Brel), an anarchist, is released from prison after serving a sentence for spreading agitation among his co-workers. He meets up with his friends who live together with their families in the villa of their political leader. They get involved with the notorious Bonnot Gang—gangsters who revolt against society by robbing, stealing, and killing. The film was released on 30 October 1968.
In 1969 Brel appeared in his third film, Mon oncle Benjamin (My uncle Benjamin), directed by Édouard Molinaro and co-starring Claude Jade and Bernard Blier. He also produced the soundtrack. The film is a period piece, set in 1750 during the reign of Louis XV. Benjamin (Brel) is a country doctor in love with the beautiful innkeeper's daughter, Manette, but she refuses his advances until he produces a marriage contract. After suffering a humiliating practical joke and being condemned to prison, Benjamin escapes with Manette, who realises she prefers happiness to a marriage contract after all. The film was released on 28 November 1969.
In 1970 Brel appeared in his fourth feature film, , directed by Jean Valère and co-starring François Prévost, Paul le Person, and Catherine Rouvel, with a screen play by Robert Margerit. The story involves a soldier, Georges Dormond (Brel), who seduces Germaine de Boismesnil and is subsequently driven out of the army by one of Germaine's friends who is a colonel. After Germaine's husband dies, Dormond returns to the widow's castle seeking revenge. After seducing Pierrette the maid, he reminds Germaine of their past love affair and arranges a meeting with the widow, during which he undresses her, humiliates her, and then leaves. The orphan Marthe, who witnesses the scene, throws herself at Gaston, the colonel's orderly, to avenge her mother. Georges ridicules their feelings and forces Germaine to reveal her attachment to Pierrette, thereby causing a scandal. The film was released on 16 December 1970.
In 1971 Brel appeared in his fifth feature film, Franz, the first film he directed. Brel also co-wrote the screenplay with Paul Andréota and produced the soundtrack with François Rauber. The film co-starred Barbara, Danièle Evenou, Fernand Fabre, Serge Sauvions, Louis Navarre, Jacques Provins, and François Cadet. The film is about Léon (Brel) and Léonie (Barbara), who meet in a convalescent home for state employees in Blankenberge: Catherine (Danièle Evenou) is Léonie's friend. Léonie is shy and reserved while Catherine is loose and flirtatious. Most men are attracted to her vitality, but Léon is the exception. Léonie is intrigued by Léon's secretive personality. She gradually becomes attracted to his clumsy behaviour and they fall in love. The other residents, amused by this unlikely love affair, decide to obstruct their relationship, which drives Léon to suicide. The film was released on 2 February 1972, and although praised by the critics, it was not a commercial success.
In 1971 Brel appeared in his sixth feature film, Law Breakers (Law breakers), directed by Marcel Carné and co-starring Paola Pitagora, Catherine Rouvel, and Charles Denner. Brel plays Bernard Level, a provincial judge, who presides over a delicate case. A man who was arrested for a minor crime died during police questioning. When Level decides to prosecute the policemen and initiates an investigation, he receives threats and intimidation from those wanting to stop the investigation. The film was released on 7 May 1971.
In 1972 Brel appeared in his seventh feature film, L'aventure, c'est l'aventure (The adventure is the adventure), directed by Claude Lelouch. The story follows five crooks who decide to switch from bank robbery to political kidnapping. Among their first hostages is singer Johnny Hallyday. The film was released 4 May 1972, and became a huge box-office smash. While filming L'aventure, c'est l'aventure on location in the Caribbean, Brel met and fell in love with a young actress and dancer by the name of . Brel would spend the final years of his life with her.
In 1972 Brel appeared in his eighth feature film, Le Bar de la fourche (The bar at the crossing), directed by Alain Levent and co-starring Rosy Varte and Isabelle Huppert. Brel plays Vincent Van Horst, a hard-drinking bon vivant who loves his freedom and his women. In 1916 he leaves Europe, which is torn apart by the war, and moves to Canada, intending to meet up with Maria, the only woman he ever loved. On the way to Canada, he meets a young boy who dreams about fighting in the European war. When Vincent arrives at the Bar de la Fourche, managed by Maria, he finds her looking older. He finds consolation in another woman, Annie, who looks down on him and drives Vincent and Olivier to fight a duel against each other. The film was released on 23 August 1972.
In 1973 Brel appeared in his ninth feature film, Le Far West, his second directorial effort. The film co-starred Gabriel Jabbour, Danielle Evenou, and Arlette Lindon. The story is about Jacques, a 40-year-old citizen of Brussels, who meets the fakir Abracadabra who, before dying, gives him a special power. Jacques meets Gabriel, a generous man, who dresses up as Davy Crockett, and who follows Jacques without asking questions. The two companions and other new friends set out to conquer the Wild West, their childhood—just as Voltaire sought El Dorado, and Saint-Exupéry the unknown planet. The Far West they seek cannot be found, because it is an imaginary place, a piece of happiness buried in our hearts. The film was released on 15 May 1973.
In 1973 Brel appeared in his tenth and final feature film, L'emmerdeur (The troublemaker), directed by Édouard Molinaro and co-starred Lino Ventura, Caroline Cellier, and Jean-Pierre Darras. Jacques Brel and François Rauber produced the soundtrack. The story is about a contract killer, Ralph Milan, who works for the Mafia. He is paid to kill Louis Randoni, whose testimony in various trials could harm the organisation. Ralph waits for his prey in his hotel room, but is interrupted by his comical neighbour, François Pignon (Brel). The film was released on 20 September 1973.
Brel devoted the final years of his life to his passion for sailing. On 28 February 1974, he purchased the Askoy II, a , 42-tonne steel-hulled yawl built in Belgium in 1960. He began planning a three-year voyage to circumnavigate the world. In July, he set off on his world trip with Maddly Bamy and his daughter, France, aboard his new yacht. In August, while sailing around the Azores, he learned of the death of his old friend Jojo. He returned to France for his friend's funeral and stayed on to attend the September wedding of his daughter, Chantal. In October, following medical tests in the Canary Islands, Brel learned that he had a small tumour on his left lung. In November, he was rushed to a hospital in Brussels, where he underwent an operation. He was suffering from an advanced stage of lung cancer. Knowing his days were numbered, Brel issued a statement indicating that he wished to die alone in peace.
In January 1975, after 27 days at sea, the Askoy II anchored in the Fort-de-France Bay. From February to July, Brel cruised around the West Indies before going through the Panama Canal. In November, the Askoy II reached Atuona Bay at Hiva-Oa in the Marquesas Islands archipelago after spending 59 days crossing the Pacific Ocean. Jacques and Maddly decided to live in the Marquesas Islands, living on the Askoy II off the island of Hiva-Oa.
In 1976, Brel returned to Brussels twice for medical examinations. Against the advice of his doctors, he returned to the Marquesas, where the tropical climate was particularly unsuitable for his lungs. In June, after selling the Askoy II, he rented a small house in Atuona on the island of Hiva-Oa. In July, he renewed his pilot's licence and took advanced flying lessons with his friend Michel Gauthier. He purchased a twin-engine plane, which he named Jojo in memory of his lost friend. This enabled him to travel more easily from Hiva-Oa to Tahiti. He also used the private plane to transport food and other supplies to the inhabitants of the neighbouring islands.
In 1977, Brel decided to record one final album. Despite his recent years away from the continent, his legend lived on in Europe and his records still sold millions of copies each year. In August, Brel returned to Paris and moved into a small hotel. He had quit smoking and, despite his poor health, was enthusiastic about working again with his faithful collaborators François Rauber and Gérard Jouannest. In September and October, Brel recorded 12 of the 17 new songs he had written in the Marquesas. The result was his final album, Les Marquises, which included "Jaures", "Vieillir" (To grow old), "Le Bon Dieu" (The good Lord), "Orly", "Voir un Ami pleurer" (To see a friend in tears), "Jojo", and "Les Marquises". The new album was released on 17 November and was received as an historic national event in France. At Brel's request, Barclay did not run a huge promotional campaign for the album, and still, by word of mouth alone, over a million fans placed advance orders. The day the album was released, Jacques and Maddly returned to their home in the Marquesas Islands. One song, "Les F..." caused controversy due to its stingy satire of Flemish nationalism.
From January to June 1978, Jacques and Maddly lived quietly at their home on Atuona Bay on Hiva-Oa. In July, after his health began to fail, Brel was flown back to France and rushed to a hospital in Neuilly-sur-Seine, where doctors discovered a cancerous tumour. He remained in the hospital for six weeks and then spent the rest of the summer in Southern France. On 7 October, he was rushed to hospital Avicenne in Bobigny near Paris. He died of a pulmonary embolism at 4.10 am on 9 October 1978 at the age of 49. On 12 October, his body was flown back to the Marquesas Islands, where he was buried in Calvary Cemetery in Atuona on the southern side of Hiva-Oa, French Polynesia—a few yards away from the grave of artist Paul Gauguin. His widow Miche died on 31 March 2020 at the age of 93.
During the 1960s, other English translations emerged on the folk music scene, including "The Dove" ("La colombe"), an anti-war lament recorded both by Joan Baez and Judy Collins. This was the only translation of a Brel song written by Alasdair Clayre, an Oxford-educated Englishman who had a brief career as a singer-songwriter before becoming an author, academic, and sometime producer of BBC documentaries.
In 1968 an American experimental musical Jacques Brel Is Alive and Well and Living in Paris made its debut. Consisting of 25 songs, the revue was performed by four vocalists, two males and two females. Jacques Brel contributed most of the music and French lyrics. English translations were provided by Eric Blau and Mort Shuman, a Brill Building songwriter responsible for such hits as "This Magic Moment", "Viva Las Vegas", "A Teenager in Love", and others. The production enjoyed considerable international success, and has since played throughout the world in various productions.
Scott Walker's first three solo albums, titled Scott, Scott 2, and Scott 3, released between 1967 and 1969, each contains three of the Blau–Shuman translations. The songs on the first of these, and Walker's single release of "Jackie", were the earliest releases of the Blau-Shuman translations. Several of the original songs on these albums, and on the later Scott 4, can be seen as heavily influenced by Brel. The compilation Scott Walker Sings Jacques Brel contains all the Brel material that Walker covered on record. Walker also performed five Brel songs on his television series.
In the 1970s, David Bowie began singing Brel's "Amsterdam" at a BBC session with John Peel and Evilan Tom. This version was released as the B-side to "Sorrow" in 1973, and was released as a bonus track on the 1990 reissue of Pin Ups. Dave Van Ronk also recorded this song, earlier, on Van Ronk. Bowie also sang "My Death" during his Ziggy Stardust period. This popular concert piece was never recorded in the studio. It appears on two of David Bowie's live albums: Live Santa Monica '72 and Ziggy Stardust - The Motion Picture. A similar version of this song was also recorded by Show of Hands.
Alex Harvey recorded "Next" ( Au suivant).
In the early 1980s, a second Brel revue, Encore Brel, was produced in Canada, a performance of which was aired on CBC Radio. In addition to Alasdair Clayre's "The Dove", the revue used mostly Brel's later songs, including "Friend, Don't Let Me See You Cry" ("Voir un Ami pleurer") and "To Grow Old" ("Vieillir").
In 1986 Momus and more recently Barb Jungr recorded new English translations of "Ne me quitte pas" which are much nearer to the original. Jungr used a translation titled "Don't leave me now" by Des de Moor. Momus translated and recorded "Don't Leave Me" because he was dissatisfied with the dominant English translations to date. "People always sing the versions by Rod McKuen, which are highly sentimentalised, or the versions by Mort Shuman which are better but still really Americanised. To me the strength of Brel is that he doesn't come from the American tradition of songwriting, it's a strongly European thing."
In 1989, Marc Almond, who had performed Brel songs on his early albums with Marc and the Mambas, released his successful Jacques, an album composed solely of Jacques Brel songs. In 1991 he released "Jacky", which became a successful hit single. During his concerts, Almond nearly always plays at least one Brel song.
In the 1990s, Brel's widow said that Arnold Johnston, a professor at Western Michigan University, translated Brel's work more accurately than Blau and Shuman, and eventually gave Dr. Johnston exclusive rights to translate Brel's work into English. Dr. Johnston recorded the album I'm Here!, a collection of twenty songs, using a grant from the university. In 1991, the American band Vambo Marble Eye recorded a version of "Next" for their album Two Trick Pony, 18 years after an English-language version of the song by the Sensational Alex Harvey Band in 1973, from their Next album.
Actor / singer Peter Straker debuted his tribute show to Brel in 1997 at the Edinburgh Fringe, and subsequently in a new version at the King's Head Theatre, London in 2004. In 2013 Straker released both a studio album and live DVD under the title Peter Straker's Brel.
Anonymous Society, Based On The Music Of Jacques Brel ran in 2000 in the Lyric Hammersmith, directed by Andrew Wale.
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Boxed sets, compilations, and rarities
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